Julio S. Sagreras Guitar Lessons
Las Primeras Lecciones de Guitarra
In
this Lesson 38, my intent was to treat both the
1rst and 2nd beats - then 3rd and 4rth beats, as arpeggios - meaning,
I would plant both thumb and index finger in prepartion for the first
and second beat - then I would plant the thumb and middle finger fo
the 3rd and 4rth beat. Like I said - it was my intent - I don't think
that I actually did it. I also attempted to make each note sustain for
its true value and note ring over into the next note - I failed at that
too. LOL - I did not realize how much my little finger was sticking
out there. |
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I ran Lessons
45 and 44 together because it seemd to make for a smaller file
size than doing it seprately. LOL - making these videos has really
been an eyeyeye opening experience - I did not realize how much my
thumb was moving around. It looks like it is at times actually pressing
hard against the index finger - but really its not - its just lightly
brushing against it. OK - in Lesson
45, my chords were weak sounding - I can do better than that.
Also, I actually could have made it more musical sounding like you
told me - maybe making the chords take a breath between each one -
or slighting slowing down/speeding up - I guess there could be alot
of ways to make it more musical - but the entire time I was playing
it I was thinking about my file size limitations - therefore, I did
not want to drag it out. My chord playing has alot of room for improvement,
but it is considerablly better than what it was a few months ago. In Lesson
44, I am still confused about how to execute the arpeggio. I have a book
- it says when learning -as a beginner - in practice - to use a
individual full plant. All fingers of the right
hand are planted - a finger plucks, then returns to the string before
a different finger plucks. The book claims this is only for learning
and has little to no application in real playing. Another book shows
the exact same figure/style of arpeggio as this Sagreras Lesson -
it suggests using the sequential plant for
both the ascending and descending notes. Another book suggests
always using the full plant with ascending
notes, and sequential planting with the descending notes. This is
what I attempted to do in the lesson here. Altho it may not have actually
worked out that way.
CONFUSION OR If I understood it correctly, Pujol always lets on like the thumb plucks the strings bending at its end joint - is that for real? My other books say not to bend the end joint and that the thumb plucks from the hand. |
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